Friday, February 25, 2005

Behold the Snow Monkeys

What's better than Japanese snow monkeys in a hot tub?

Japanese snow monkeys in a hot tub, while it's snowing!



Gracias, como siempre, a La Reina!

Have a nice weekend, youse. Come by the show tomorrow night if you're in town.

(Oh yeah, and you can now subscribe to this tedious stream of glossolalia via RSS and Atom feeds, over there on the right under the PREVIOUS POSTS. Blame Mr. John T. Unger of Mancelona, MI. Hi John! Everybody wave.)

Barter: LCD Projector

What the hey, as long as I'm at it--I'm looking for an LCD projector that you swiped from your dot-com company as it circled the drain. I don't need super mega resolution or anything, but would rather the super-expensive bulb still works.

An LCD-panel-only that I can put on my overhead projector would also be welcome!

As always, thanks in advance.

Thursday, February 24, 2005

Barter: Pocket PC?

Do you have an older and/or unwanted Pocket PC handheld thinger with Wi-Fi on a card or built-in? Maybe with an plug-in keyboard?

Wanna trade for an appropriately-sized stack of El Reys and/or t-shirts? Talk to me!

(Hey, doesn't hurt to ask.)

Paper Paintings: Addendum

Oh yeah, I've made paper pictures before, and enjoyed it--these are from my 2nd solo show at National Product, in 2002. Plus, the show hanging on clotheslines was maybe kind of clever, but not exactly impressive.





The New Idea: Paintings on Paper

I have an idea, for a change. Blame this one on a little bird named Drew, who has a pug named Charles:

This is Charles. Blame him.

I sometimes make big paintings, which is fun. I usually paint 'em on canvases, or these boxes I make (kinda like an upside-down Nok Hockey board) -- thin plywood front, 1 x 2s all around. This is so whoever buys a picture can take it home and hang it right up, without having to schlep around to find a frame, or pay $$$ and get it framed. (A couple of folks have done this, and paid a good bit more for the frame than the painting. This kind of puzzled me.) I'm all about the instant gratification, as you might well imagine.



This is all well and good if you live here in SF and can come by and pick 'em up, but more than once a nice person from, say, Pennsylvania has bemoaned the fact that I won't ship 'em. This is because the one time I did ship a canvas, it took longer to pack the painting for shipping than it did to paint it. This is on top of the time it takes to stretch the canvases or make the boxes. I don't want to spend my time making boxes or packing paintings for shipping; I want to paint monkeys.

I'm making a bunch of paintings on paper for another project, and Drew emailed me yesterday wanting a painting of Charles above, who I bet is even cuter in person and maybe snores. I said: "Aha! I have it. Pick a frame from IKEA and I shall make you a fine painting on paper and mail it to you, rolled into a mailing tube." I use acrylic paint, mostly, and it's pretty flexible as long as you don't, I dunno, bake it, or paint it on an inch thick or something.

La Reina and I went to Tempe, AZ for an art fair last December. I wanted to sell my little prints on paper framed, but didn't want to ship or schlep frames. I saw that a new IKEA had opened near there, so what we ended up doing was, I cut the prints to fit the IKEA frames I had here at HQ, and when we got to AZ we went to IKEA and bought a bunch of frames for 'em and had meatballs. They even let me return the ones that didn't sell because it fucking RAINED HALF THE TIME of the art fair, 45 DEGREE RAIN, in ARIZONA. Sorry. It didn't go as well as I'd hoped.

Anyway, making paintings to fit readily available frames. I just never put the two and two together until now! What I'm gonna do is make a batch of paintings on paper (maybe in multiples) to fit IKEA frames. I don't have any Swedish blood or anything; if you know of similarly good quality frames available online for cheaper, by all means let me know.

This, for instance, is an excellent and affordable frame, the RIBBA 20 x 28" frame, $19.99. I have a couple of RIBBA frames here at HQ and they're nice. Make the "for her pleasure" jokes on your own time, please.



So I'm gonna make some paper/board paintings to fit this frame. I save hassle, you can get a nice big El Rey and save money, everyone's happy! Yay us!

Wednesday, February 23, 2005

Group Show! Zip Zap Salon, SF, Sat. 2/26

I'll have a couple of pictures in this show, and more importantly, with be there milling about. Likely with a free Red Stripe or two under the royal belt.

Here's a map and a picture of the place. Come by n' say howdy.

Zip Zap salon is pleased to present its latest group
exhibition :: Zip Zap Gets Arty.

Opening Saturday, February 26th, 2005 7-10pm.
Sponsored by Red Stripe Beer.
[This means free Red Stripe. That is a good thing.]


Zip Zap
245 Fillmore St. @ Haight St.
San Francisco, CA
415.621.1671

New artwork by:
Angela Boatwright
Brad K. Alder
Jasmine Pasquill
Alicia McDole
John Trippe
Victoria Keddie
Ben Weiner
Ray Potes
Andreas Trolf
Sfaustina
Bryan Collins
El Rey
Carlos Roque
Andrew Jeffrey Wright
Clare Hyland

For more information please contact Yasha Wallin:
ywallin77@yahoo.com



"El Rey" looks nice in script!

Hand Lettering: Fonts of the Gods

Like anyone with a thirsty eye, I have a gnawing hunger for computer fonts. They don't come up too much in my pictures, with a few exceptions, but I use 'em for the flyers for shows and such. I have a liberal-arts-college-level training in graphic design, and I'm old enough to have done some pre-Macintosh pasteup. ("Does anyone remember waxers?")

But I'm not old or man enough to have lettered headlines by hand with only ink, my pen nibs and brushes, and balls of steel. The type I really really love, the packaging and poster designs from the 30s-50s, is either wood type (more on that letter) or hand-lettered. Every good movie poster ever was hand-lettered, even the ones for terrible movies.

I have a couple of "how to use Speedball pens and/or brushes to make nice showcard lettering" books. (The Speedball Textbook for Pen and Brush Lettering is on Amazon used for $2.73! Go grab a copy.)

The tutorials in them look a lot like this:


This, this is the stuff. I got the above picture from theletterheads.com, a fine, fine resource for hand-letterers, sign painters, and the nerds like me who love them.

For the cowardly (again, like me) who probably will not be learning hand-lettering soon, there are resources like letterheadfonts.com:



They, generously, even offer a few excellent free fonts, at letterheadfonts.com/downloads/index.shtml.


LHF Mike's Block, above, is my favorite of these.

Want to live vicariously? Check out this QuickTime Speedball Workshop Video, courtesy of LettError.com, and get schooled.

We are not worthy.

Tuesday, February 22, 2005

More Shirts? Yes, I Say!



Put a couple new designs up on Surlysquid.com. As always, operators are standing by.

More Books

S'more art history home course materials your humble acrylic-stained wretch has found worthy:

The Thames & Hudson World of Art series!

These are cheap, 5-6 bucks used, and portable (coffee-table-sized books are great for the pictures, but I don't often sit at a table and peruse books unless I'm eating lunch). I like Fauvism, by Sarah Whitfield, and The Expressionists, by Wolf-Dieter Dube, myself.




I'd like it if they had more color illustrations, but for $5 you can't be too picky.

Colors. Colors colors. Colors.

Said thoughtful girlfriend got me this for Xmas:

Color Index: Over 1100 Color Combinations, CMYK and RGB Formulas, for Print and Web Media,
by Jim Krause


Each page has a bunch of little patterns in different color combos. I will be stealing some for future El Rey pictures. Yes indeed.

I've had this similar book (Designer's Guide to Color
by James Stockton) for years (after swiping it from a design firm I worked for back when I younger and less thoughtful), but the color schemes are pretty dated. Unsurprising, I suppose, given that it was published in 1983.

Still, it's $1.17 used, so probably worth picking up. There's a whole series of 'em (2, 3, 4, 5, $3-8 used) and the latest is from '91. I bet there's some useful combos in there. I should probably grab 'em all, come to think of it.

Here's a listmania list with a bunch more books on color.

I still haven't sat down and fully thought out my views on color, but I know I care about 'em maybe disporportionately. If a picture has the properties of, say, subject matter, line/draftsmanship, color, and manner of execution, I'd say color gets half of my attention and the rest is divided up, with subject matter ahead of the others.

It's kinda similar to when I was just starting out in music and I got my first distortion pedal and guitar amp; the different noises I could make interested me more, really, than what notes I played. I got a Nord Lead 2 Rack synthesizer in a gear trade and I haven't used it much to actually play notes. More often than not, I just set a little serviceable gibberish loop going and tweak the knobs, rolling around in the delicious sounds exuberantly like a dog in something stinky. Color can be like that for me.

Historical Color Combos Swiped from Printed Ephemera

Though you can't tell from the miserable scan, my Ask for Pughead



is a bluey purple and a bluish green, colors I got from an old ticket, I think it was, of some kind of World's Fair exhibit on space. A year or two ago, She Who is Excellent and I went to a printed ephemera show (which features books and magazines, sure, but also maps, brochures, little recipe books from food manufacturers, ink blotters from insurance companies, and the like). As a former graphic artist, the old type calls to me, sure (more on type later, I'm sure) but the color combos do, too, especially the ones that aren't in common use anymore.

I swiped the colors for Hits, as well as the lines, blue side bar, and swooshy banner, from the cover of an Andrews Sisters record I found online.



Again with the lousy scan, but there's a pinkish thing to the red that may or may not be visible. There was a cream color on the original I made a half-assed attempt to swipe with colored paper, but I didn't use it in the one I scanned. In some of my pictures, I even use a transparent glaze I mixed up and called "dinge" to approximate the dulling effect of aged paper. (I tried to matchit to blank sheets pulled from an old book I found in the garbage walking home from my old doorman job at 3am.)

Also, from the same ephemera show came the smiling girl (no, it's not Shirley Temple) from Surprise Visit and the kids in Diced Cream:


These came from the back of a 1930s mfr.'s brochure for, yep, "diced cream," little foil wrapped cubes of ice cream sure to enliven any party.

Anyway, back to colors. I know that Pantone comes out with seasonal colors ("apricot is the new black") and I've read articles where the new car colors of the year are reviewed, but that all seems to be more of a NEW and IMPROVED BUY kind of thing, a little manufactured.

The longterm view of commercial-art color combos by decade, though, is pretty interesting to me. Color trends even affect so-called "fine" art, thought maybe more on a longer term than decades the further you go back. I'm thinking of the brown, brown, and more brown and some yellow pictures of Rembrandt and those guys, versus, say, International Klein Blue. Probably my favorite art movement per se are the Fauves, who just went bonkers with color for the first time. Andre Derain, for instance. Now those are some colors.

Though there's no Unified El Rey Color Theory, I think about color a fair bit. I'm sure I'll post more about it later.

Bay Area Western Swing Fans! Go to This.

ASPA-SFSU "Bob Wills on Film"

Tuesday, March 1 2pm - 9pm ongoing
free admission!
Jack Adams Hall, Cesar Chavez Student Center

A selection of rare Western Swing film clips featuring Bob Wills and The Texas Playboys, Cindy Walker, Tennesse Ernie Ford and Jimmie Wakely, Tex Williams and many more. Also: "Fiddlin' Man: the Life and Times of Bob Wills".

-

I am a big fan of Bob Wills. I painted this picture (which is still available!) that adorns the bathroom at the moment:


Ahh-Haa! (Bob Wills)
Great Exclamators of Our Time series
28" x 28"
Acrylic on canvas

I'm Bad, I'm Nationwide, Almost


From a long series of events that started with an email out of the blue and a couple of subscriptions to the now-moribund El An~o (El Rey of the month) Club, I ended up having pictures in the Obsidian Gallery in Tucson, Arizona. I haven't been to Tucson, but the next time I'm in AZ visiting La Hermana, Hermano en Ley, y las Sobrinas y Sobrino del Rey, you can bet I'll make it my business to take a side trip. Many thanks to Rea and Lee for making it possible.


Julie McFadden's firm handles the PR for Timbuk2 (see Selling Out, Pt. 1) and she runs the TAG Art Gallery with her husband Jerry Dale in Nashville, Tennessee. She was in SF on Timbuk2 business, I put a stack of El Reys in her hand, and now I am honored to say that my pictures are for sale there, alongside those of Steve Keene and Jon Langford, two of my biggest art influences. (And in the case of Mr. Langford, music as well. His Waco Brothers greatly informed my own attempts to play alt-country music back when I played more than once every couple of months.) There is talk of an El Rey show at TAG later in the year. I've never been to Nashville. How great would it be to find a 52 Long Nudie suit? I'd look goooood, I tell you what. Also, it would be excellent to visit Hatch Show Print. I have stolen from them plenty and it's only right I pay homage in person.

Also, Mr. McFadden used to be the keyboard player in the Mavericks. How excellent is that? He also guest-stars on Jason and the Scorchers' Midnight Roads & Stages Seen, which is a fine, fine record. I'm a little bit starstruck, to be honest.

The Year of Selling Out, Pt. 2

I've been wanting to make t-shirts and various merchandise-type objects of some of my designs for a couple of years now, that they might earn me big fat money while I do little but place reorders from behind my glasslike-surfaced mahogany desk Now that fateful day has come. It's hardly finished, but it fills me with orgiastic delight to announce that

SURLYSQUID.COM

is open for business, in a rudimentary plywood-shack-by-the-side-of-the-road kind of way. Futuristic abilities like Buy Now buttons are forthcoming, but I have 10 dozen shirts here at the house and a bunch of new Tyvek envelopes from Office Depot, so feel free to email me right this very second because you can no longer contain your garment lust.

I did a poll a year or more ago on what pictures people wanted on shirts, and I tried to hew close to their usually polite demands. One I got after I had the first round made: I mentioned on a kitten-laden site I frequent that I'd been advised to get guy's shirts in M, L, and XL, no XXL. Someone replied, "Did you tell your source of that info that this was the Internet?" So shirts from here on in will be ordered in L, XL, and XXL. Which means that even if the XXLs don't sell, I can wear 'em while I watch the staff polish the limo in the HQ hangar. Your king, he has been blessed with the Burl.

I looked into making them myself, but decided that I have enough damn things to make as it is, so I went to Lo-Fi Mike, who I've known for a couple of years (I had a show at his place a while back). He's a good man and did an excellent job.

I actually did do a small round of shirts myself for a show a few years ago, with a Print Gocco machine (more info here). The Gocco is an excellent device that tidily makes 3.5 x 5" silkscreens and can print on fabric as well as paper, but not only were the t-shirts and thongs I made not of professional quality, they were just barely of El Rey quality. Which is saying something. There is, though, at least one maribou-trimmed Devil Bunny thong out in the world still getting regular use, that I know of. Which is nice. I may still use the Gocco for tiny little prints someday.

Anyway, back to Selling Out. I plan to emblazon basically any item I think someone might like to own with my pictures and put it up for sale. Do you have an uncomfortable, tingling urge for an El Rey cigar cutter, or pencil case? Let me know.

(On reading that back, "tingling urge"+"cigar cutter"+"pencil case" might provide fodder for the deconstructionists/Freudophiles among you. Purely accidental, I assure you. El Rey doesn't work blue.)

Eventually, surlysquid.com (bookmark it now! etc.) will be more than just an El-Rey-merchadising juggernaut, I'd like to think. Does anyone remember the Chicken Boy catalog? They're still around and still selling loopy goods; their printed catalog has/had a bunch of Chicken Boy stuff and a lot of other excellent goofy crap, kinda like Archie McPhee. Eventually, maybe SURLYSQUID.COM (just the one last one) will be something like that. Maybe.

Do you make nifty things? Lemme know and maybe we'll put it up in the store.

The Year of Selling Out, Pt. 1

A couple of months ago, the nice folks at Timbuk2 messenger bags got in touch about doing some El Rey messenger bags together. The big cheese, Mark Dwight, saw my pictures at National Product and emailed me, and that week he came by the house and then I went over to their factory (!) here in SF, not five blocks from HQ. I'm thrilled that they're interested in my stuff, and Mark and everyone else are good folks.

Thinking, as I do often, of my loyal and not particularly wealthy fans, I wanted to try and keep costs down so the the retail price would be as low as possible. Their current Artist Series bags use an expensive process (basically the same that's used to make bus ads, if I remember correctly) to get the art on the middle strip of vinyl that makes up these bags. Apparently, this strip costs 10 times what the other two do, leading to the $100 price. They're beautiful and nigh-upon-bulletproof bags (with a lifetime warranty, no less), but a hundred bucks is a chunk of change.

Here's a look at the first round of failed prototypes, where after researching way too much about getting paint to stick to cordura, I went back to the hardware-store spray paint I use for my Krylographs for the X-1 prototypes.


They looked OK, but on some of 'em, the bags curled as the paint dried, making for a little more overspray on the upper layers than I'd like, meaning sort of fuzzy images. Plus, masking off the rest of the bag from the overspray took a lot of masking tape and time.

Their nice PR lady took the ducky one with her on a trip and apparently it didn't last long and started flaking off. Poor ducky.

So I took some cordura strips to Lo-Fi Mike, to silkscreen as he did the first round of El Rey t-shirts. (see The Year of Selling Out, Pt. 2) These, the X-2 round, came out looking great.



But their longevity is unknown. They're currently being beaten up by, I like to think, actual live bike messengers with tattoos and callouses and overactive adrenal glands.

I'll keep youse updated as the testing continues apace.

How I Use del.icio.us

When I'm looking for something new to read without getting up off my ass, I go to the main page and look at the most-recently posted links.

I got an account, out of curiosity; once in a while, I'll link something in the hopes that it gets pushed up a little higher on the Popular page.

It's fun and all to see what people are linking to, but really, I don't see why people think it's such a big deal. See also: flickr, tags, the wretched word "folksonomy" (OK, I understand some new things need new words, but jesus CHRIST people, can you at least put 10 minutes of thought into it?), podcasting, RSS, and blogging. I have a web site, you have a web site, we all have them and can link to each other. Swell!

I suppose having been up to my nose (I used to be an information architect) in the smugly breathless mid-90s web rush, I'm a little jaded. A little. I guess it's nice that people feel excited about something.

The Oldest Extant El Rey Documentation: An Historical Artifact


Agitated Bunnies
, Kristen Huntley, May 2001.

Cheap Paint

When I started making pictures in 2001, I had no money at all and used whatever I could get my hands on, which included mis-mixed house paint from Last's Paint down the street and Discount Builder's Supply a couple of blocks in the other direction, where I still get my wood panels.

Now, when I enter my marble-and-glass atrium to dapple the perfect highlights on an exhorbitantly priced commission, I use materials of a somewhat more evolved quality. I actually just bought the first batch of Golden acrylics, which, as far as I can tell, are meant to be as good as it gets, acrylic-wise. (I've dipped a foot into the remarkably expensive oil-paint waters, but it's sort of like starting over again, so I've been a little overwhelmed and don't have much experience with them.) I've been busy with freelance dayjob work and setting up surlysquid.com (pimp pimp pimp), so I haven't had a chance to play with the Golden colors yet. They sit on my easel-thing shelf, staring at me with their circular blank caps, calling to me. Jezebel, thy name is Anthraquinone Blue! I got a hankerin'.

But!

Utrecht is apparently clearing out Finity acrylic paints. (That's the link for the clearance section; you have to search for "Finity" from there.)

Azo Yello 60ml, $2.37!

I haven't used much Finity paint, but $2.37 is $2.37.

Monday, February 21, 2005

Get These Books

I got these last week, both published by Phaidon:

The Art Book ($5-ish used)


The American Art Book ($6-ish used)



And 20th Century Art: Museum Ludwig Cologne, published by Taschen.

($1.77 used! Go get one!) This one's a little thicker, but all three books are pretty portable.

My art history knowledge, some of you will be unsurprised to hear, is limited. To one semester, specifically, back when Kajagoogoo roamed the earth (hey, I just looked, and they're back together. Good for them); my one painting class was a year or so later. Full disclosure: I have a graphic design degree, not that you'd know it from looking at my site. I am impatient, and this does not mesh well with any goal of approaching graphic perfection (see unsurprised, etc. above).

It's been kind of fun basically teaching myself art history the last couple of years, finding someone I like (and/or can steal from) and then looking 'em up and seeing who else did similar stuff, etc. and etc.

The thing that's interesting about these books is that the artists are listed alphabetically insead of by movement or year. So everybody's all mishmoshed together and you stumble across pictures in succession that no one in their right mind would place together. Which is, of course, why it appeals to me. Also, the text is short and sweet (especially in the two Phaidon books--a paragraph per artist) and mercifully light on art-world jibba jabba, which I have no stomach for whatsoever.

El Rey says check 'em out.

(PS. Ooh, Phaidon also did The 20th Century Art Book. I'll probably get that, too.

Goddamn You People

For not ignoring it and letting such a hideous word as "blog" into the language. It's not even a good sound effect.

Don't get me started with "blogosphere."

(spits on the ground)

I got one anyway. I yammer about this stuff to my patient girlfriend and the good citizens of the Well (in elrey.ind) and Echo too much, so I figured I'd put it here, where it's easily ignored.

Hallo.

Wherein the Artist creates what is known as a test message.

Click click thump pop CHECK one two two TWO check.

Here's a picture no one's seen in a while.


That is all.