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El Rey

I
get pretty excited by degradation. Of images, that is. When you
take a great 1/2" doodle on crummy paper and photocopy it
with the copier set to maximum magnification, one generation after
the next until it fills the page--that picture, now that's something.
Maybe accompanying my mom, when I was a toddler, on visits to
her chain of copy stores up and down the east coast had something
to do with it. I'm still fascinated by "flawed" image
reproduction--uneven inking of old wood-type posters, spray-paint
overspray, and paintings where you can see each brushstroke. I
used to work in art departments all over Manhattan; I learned
numerous technological ways to produce a perfect, huge, photographic
image. I don't see the point in using paint and brushes to attempt
the same thing. The imperfections of the process, the visible
hand of the craftsman, are what makes handmade images interesting
to me--a painting or print, as I see it, should show the person
who made it.
Recognition
2003 Nominee, SECA
Award
SF MOMA
Solo
Shows
2005
New and Improved
Paintings
National Product, San Francisco
2004
Vacation
4-Color Process Paintings
66balmy, San Francisco
2003
Uptown
Paintings
National Product, San Francisco
El
Rey’s Barganza
Prints and paintings
66balmy, San Francisco
2002
El Rey’s Fiesta Plana
Paintings
National Product, San Francisco
El
Rey’s Mind-Roastingly Supreme Art Party
Paintings and sculpture
66balmy, San Francisco
Group
Shows
2006
Supreme Affordable Art Summit Show (with Steve Keene, DAVe
Warnke, and Dolan Geiman)
Tag Art Gallery
Nashville, TN
2003
The Home & Garden Show
Prints and paintings
Budget Gallery, San Francisco
2002
MELT
Paintings
The Art Explosion, San Francisco
2001
Just Bazaar
Paintings
66balmy, San Francisco
Education
BA, Studio Arts/Graphic Design, Binghamton University, Binghamton,
NY, 1990
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